Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Sir Edward Coley Burne-Jones
The Baleful Head (mk19)

ID: 22285

Sir Edward Coley Burne-Jones The Baleful Head (mk19)
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Sir Edward Coley Burne-Jones The Baleful Head (mk19)


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Sir Edward Coley Burne-Jones

British Pre-Raphaelite Painter, 1833-1898 English painter and decorative artist. He was the leading figure in the second phase of the Pre-Raphaelite movement. His paintings of subjects from medieval legend and Classical mythology and his designs for stained glass, tapestry and many other media played an important part in the Aesthetic Movement and the history of international Symbolism.  Related Paintings of Sir Edward Coley Burne-Jones :. | The Godhead Fires | Phyllis and Demophoon (mk46) | Green Summer (mk46) | The Garden of the Hesperides | The Baleful Head (mk19) |
Related Artists:
Hoogstraten, Samuel Dircksz van
Dutch Baroque Era Painter, 1627-1678
Isaac Israels
Dutch, 1865-1934 Son of Jozef Israëls. He was largely self-taught, showing precocious talent and attending the Academie in The Hague in 1878-80. His first paintings date from 1880-84 and include a self-portrait, portraits of women and military subjects such as Bugle Practice. They were composed in the studio in a precise style, soft grey and brown tones predominating, showing the influence of the Hague school. In 1887 Israels moved to Amsterdam, where he was at the centre of the Tachtigers of writers and painters. Among his friends were George Hendrik Breitner, Lodewijk van Dyssel, Frans Erens, Max Liebermann, Jan Pieter Veth and Jan Voerman. In Amsterdam, after a brief and abortive period at the Rijksacademie, he sought a more fluent technique with which to record contemporary life. His drawings and watercolours are predominantly of cafes, cabarets, dance halls and the street life of Amsterdam. In 1889 he visited Paris, where he met St phane Mallarm, Berthe Morisot, Odilon Redon and Emile Zola. In 1894 he painted Three Servant Girls, the first of his plein-air pictures. From then on he applied transparent colours to capture the fleeting effects of light in oil, watercolour and pastel. His oils were painted in flat broad strokes. For the rest of his life he employed his very personal Impressionist style, which emphasized the interplay of light, colour, line and movement. His favourite subjects were beach, street and park scenes
Lingelbach, Jan
Dutch Baroque Era Painter, 1622-1674






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